If you have any questions, comments or feedback about Pay Homage or Collection 1: Jane Eyre Goes to Sable Island, I would be more than happy to hear and respond.
Toronto, Canada
Filtering by Tag: design
Today, I finalized my collection! I have gone through 25 sketches, edited them, and selected a final five that I will produce my collection with.
I have drafted up technicals – the black and white flat drawings on Illustrator. These drawings show pattern drafters/sewers how the outfit’s pattern will be made and sewn. It includes all the details to the correct proportions.
I can really see it coming together!
I’ve recently begun searching for fabrics that reflect the colors, textures and movement of the island. I have found a number of fabrics that are soft and have drape, mimicking the movement of the sand and grasses. Materials with more structure have enabled me to contrast that fluidity with the firmness of the Victorian era, and elements of the island.
The highlight of this search was perhaps finding a fabric that looks perfectly like the sand I remember. I have also really enjoyed creating my own fabrics by digitally printing my photos of Sable Island onto the material. This has helped me bring literal representations of the island into the collection.
I have bought the majority of my fabrics from Lida Baday’s The Fabric Room in Toronto. I love the quality and beauty of the fabrics she brings in from Europe. I also took an amazing trip to New York where I picked up additional fabrics from Mood, and trims from M&J Trimming.
As I pick out fabrics, the collection is taking on an even stronger form…
The first outfit will be made of a blue, black and white printed linen that looks like woven tweed. It reminds me of the movement of the water on a foggy day on the island. The black reflects both Victorian and modern women, both of whom traditionally wear the colour.
The top for the second outfit will be made of that fantastic sand-like material. For the skirt, I altered and printed an image of Sable Island grass onto a fabric.
In the third outfit, I introduce a tan and green woven mixed linen coat, that reflects the texture of the grass and holds a slightly stiffer shape. This coat will sit over a horse printed microfiber dress that has quite a lot of drape. The combination of the structured coat and flowing dress illustrates the juxtaposition of the textures and movement that come from the wind, the dunes, the grasses, the waves and the manes.
In the fourth outfit, I return to the combination of grass and sand. The grass fabric is transformed into a blouse, while the sand fabric is used for a long skirt.
In the fifth and final outfit, I am going to use a black and white horse photo on a grey shirt that will be paired with navy linen pants. I am going to return to darker colours in this outfit to represent that the woman is returning to the city, but bringing the freedom and spirit of the island with her.
Having recently returned home from Sable Island, I’ve found myself inspired to begin sketching garments based on the movement, textures and colours of the island. I have been fusing those elements with imagery of Jane Eyre, and I am beginning to see a collection for Sable Island come into fruition.
I have currently designed five garments that illustrate Jane’s transformation on the island. They show a constricted Victorian woman emerge into a free spirited individual as details are replaced my movement.
The first garment is inspired by the tailored Victorian riding jacket. With a synched waist and lace grommets on the sleeves, this is the most structured piece in the collection. The second garment retains a tailored look, but incorporates looser material, pleats in the skirt and buckles with a few remaining Victorian influences.
In the third garment, the dress is markedly looser and has an irregular hem that mimics the irregularity of the waves, dunes, and manes. A few Victorian details are still visible. The fourth garment is freer still, with a long sand-coloured skirt and grass-printed blouse. The high low hem on the skirt allows for much movement, while the pleats and the tie on the blouse retain an element of the Victorian era.
By the fifth garment, the transformation is complete. The entire outfit is filled with movement. The t-shirt shares the spirit of the wild ponies with its horse print, and the high low hem continues to add movement. Of course Jane’s Victorian era is still noticeable with the lace trim on the hem of the shirt.
As the collection comes into focus, I have also ensured that my target market, competition and methods of selling the product are thoroughly researched. This has allowed me to decide on fabric and quality, techniques for finishing the garment, design details and pricing.
